“ Circulating Ocean”, premiered by the Vienna Philharmonic at the Salzburg Festival in 2005, has also become part of the repertoire of many orchestras. Toshio Hosokawa has written numerous orchestral works in recent years, including After the Storm for two sopranos and orchestra on the occasion of the 50th anniversary of the Tokyo Metropolitan Symphony Orchestra and “ Woven Dreams”, commissioned as part of the Roche Commissions (Cleveland Orchestra, Franz Welser-Möst, Lucerne Festival 2010). He first gained widespread recognition with the 2001 world premiere of his oratorio Voiceless “Voice in Hiroshima”. Although his initial compositions drew inspiration from the Western avant-garde, he gradually built a new musical world between East and West. He gives musical expression to notions of beauty rooted in transience: “We hear the individual notes and appreciate, at the same time, the process of how the notes are born and then die: a sound landscape of continual ‘becoming’ that is animated in itself.”īorn in Hiroshima in 1955, Toshio Hosokawa came to Germany in 1976, where he studied composition with Isang Yun, Brian Ferneyhough, and later, Klaus Huber. His music is strongly connected to the aesthetic and spiritual roots of the Japanese arts (such as calligraphy), as well as to those of Japanese court music (such as Gagaku). Toshio Hosokawa, Japan’s pre-eminent living composer, creates his distinctive musical language from the fascinating relationship between Western avant-garde art and traditional Japanese culture. In 2004, he was named professor of composition at the Geneva Conservatory.
The same year, he was named "Chevalier des Arts et des Lettres". In 2001, the Salzburg Festival commissioned a concerto for piano and orchestra entitled “Abschied”. In 1996, he was composer in residence at the Lucerne festival, and then was heralded by the Musica Nova Helsinki Festival, which dedicated the festival to him in 2000. Beginning in 1993, he became professor of composition at the University in Vienna. From October 1991 to June 1993, he was composer in residence with the Lyon Orchestra. He resided at the Villa Médicis in Rome during 1988/89, and then joined the Istituto Svizzero di Roma in 1989/90.
Starting in 1982, his works have received numerous prizes: prix Acanthes (1983), Beethovenpreis from the city of Bonn (1986), Marescotti prize (1986), Gaudeamus (1988), Henriette Renié (1988), Siemens- Förderungspreis (1990) and Musikpreis der Stadt Wien (2010).īetween 19, he was in residence at the Cité des Arts in Paris and took part in the computer music course at Ircam. He completed his training with Klaus Huber at the Freiburg Staatliche Hochschule für Musik im Brisgau.
#Monkemeyer soprano pdf registration
The deadline for registration has expired on 10th October 2022.īorn in Geneva in 1958, Michael Jarrell studied composition at the Geneva Conservatory with Eric Gaudibert and at various workshops in the United States (Tanglewood, 1979). THE NEXT EDITION OF “BASEL COMPOSITION COMPETITION” WILL TAKE PLACE ON 8-12 FEBRUARY 2023. The three winning works shall be awarded monetary prizes totalling CHF 100,000. In 2017–18 years after his death – Paul Sacher’s spirit will be revived once again as the most compelling works of the 21st century are brought to Basel for the first edition of “Basel Composition Competition” (BCC), an international event open to the public, conceived and organised by Artistic Management GmbH in cooperation with the Paul Sacher Foundation and directed by the Head Juror, Wolfang Rihm.ĭuring the selection process, the jury will shortlist ten to twelve pieces to be performed at the competition by the the Basel Chamber Orchestra, Basel Symphony Orchestra and the Basel Sinfonietta. In 1973, Sacher founded the Paul Sacher Foundation which gained international reputation as a leading research institution after acquiring the estate of Igor Stravinsky and collections from Anton Webern and Bruno Maderna. Amongst the works commissioned by Paul Sacher are Béla Bartók’s “Music for Strings, Percussion and Celesta”, Bohuslav Martinů’s “Toccata e due Canzoni”, Igor Stravinsky’s “Concerto en ré” as well as Arthur Honegger’s Fourth Symphony. He devoted himself tirelessly to the music of his century in his various roles as conductor, as commissioner of new works and as sponsor and member of numerous guilds and institutions. No person is more representative of the Basel musical scene than Paul Sacher (1906-1999).
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